Throughout the years, many musicians have been able to ignite their careers directly from their own homes. These individuals have been able to obtain their success, by recording their songs directly in their living rooms, basements or bedrooms.
These people have been able to achieve their goals, because of their own home recording studios. Without the best vocal microphone, these individuals would have been unable to obtain their dreams.
There has been some outstanding microphones and below you will find our top 10 picks and reviews for the best vocal microphone for recording.
In a hurry? Here are our top picks for the Best Vocal Microphone for Recording
Editors Pick -
Best Value Cheap Mics - Pyle-Pro PDMIC58 Microphone
Best Professional High Quality Mic - Rode NT1 Microphone
Best USB Mic - Blue Microphones Snowball iCE
Best Under £50 Mic - Behringer C-1 Microphone
Best Dynamic Mic - Shure SM58 Microphone
Best Studio Condenser Mic - Audio-Technica AT2020
Best Studio Starter Mic - Blue Microphones Bluebird LG
Best Seller Mic - Audio-Technica 20 Series AT2035
Top 10 Vocal Mics
Why Do You Need a Vocal Microphone for Recording?
What’s the point? Well, I can tell you that there certainly is one. A microphone isn’t just something you can pick up from the shelf and just get started with; you need to put time and research into it.
There are different microphones for different circumstances, and there are plenty of models out there that are suited to specific tasks. When you are recording vocals, you need a mic that is going to be able to capture your sound and the music that you want to create.
A vocal mic is able to do just that, but before you can just go out
and buy one, there are some things you need to take into consideration. It is in the little sections below that I really get into the details to help you figure out exactly what you need at a price you can afford.
Type of Microphone
The first thing you should be asking yourself is what you are going to be using your new mic for, as this will have a massive impact on what you choose. Is it for your recording studio, on the stage, or
multiple situations? It’s something we forget about quite easily, and this can lead to choosing something that is completely wrong for you.
Dynamic vs Condenser
There’s a lot that goes into these two types of microphone, and some pretty key differences between them. I will also note that these are known as transducer types. The dynamic models are a
lot more rugged than their condenser counterparts, and this is why they are most commonly used on the stage.
The condensers are more sensitive, delicate, and this makes them ideal for use in the studio recording tracks. Of course, there are dynamic mics that are used for studio recording, and condensers that are used for the stage; exceptions to the rule.
I will also make note of another major difference between the two of these. The dynamic mics are able to operate without a power source, which makes them more versatile when you want to move
around and get funky. On the other hand, the condenser mics need either a battery or phantom power supply if you want them to function properly.
Many mics contain a diaphragm, but the difference in size only tends to be found within condenser microphones. Both large and small sizes are great, and there isn’t really a right or wrong answer; it all depends on what you are going to be using the mic for.
The small diaphragms are perfect for those who consider themselves to be realists, and they can capture sound beautifully and in an unaltered manner. The sound itself is detailed, neutral, and suited to a whole range of different situations, which is why it is such a popular choice.
The large ones are more like they are partially instruments, and they are made to create sounds that are bigger than they are. They are more engaging, showstopping, and produce something that gives you that record feel. Vocals and lead instruments find themselves in the spotlight here.
What this refers to is the shape of the microphone’s field of sensitivity; otherwise known as the direction from which it either ignores or accepts incoming sounds. You can select a specific
microphone according to the kind of pattern you need in order to get the sound and use you want.
An omnidirectional mic will respond to sounds that are coming from every direction, whereas a bi-directional mic will only pick up sounds from the east and west. This is also known as a figure 8 mic.
If you choose a unidirectional mic, it will take sounds from one direction and exclude those from all others.
These are actually the most common type, and there are three polar patterns:
Sound Pressure Level
You may also find this displayed as SPL. It refers to the maximum volume that the mic is able to happen, and you will find that it is labelled in decibels (dB). This is an important aspect to look into if
your mic is going to be around loud instruments and needs to be able to cope with it. You will find the average level is around 100dB, while a high SPL is considered to be 130dB.
No matter what your dream mic may be, you do need to remember to stick with something you can afford. It is possible to pick up a good quality vocal mic for an affordable price, and you shouldn’t
have to feel like you need to spend a fortune. That’s why I work so hard to bring you fantastic deals on high-quality models that will bring the best results.
When it comes down to it, you should remember that the best vocal microphone for one individual might not be the best for another. This is why it is imperative to figure out precisely what you desire out of a microphone.
Once you’ve done that, you will want to scour through our list above and choose the microphone, which will be sure to satisfy all of your desires and preferences. This will help to ensure that your music soars to new heights.